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In the world of increasingly standardised contemporary TV, RaiTre has a guiding thread all of its own, it has character and it's interesting. RaiTre is a network with brand value and visibility which have been far superior to its audience shares for years. |
RaiTre
As regards viewing figures, RaiTre has
succeeded in confirming its results both
for prime time and for the whole day,
despite the considerable increase in
the performances of specialized
channels. According to the Qualitel
report for 2010, viewers' opinions of
RaiTre remained stable throughout the
whole of 2010, with assessments for
autumn higher than the channel's
average for culture, science,
environment television news and
current affairs.
The programmes that characterized
RaiTre's programming in 2010 included
Vieni via con me, the success of which
was outstanding, forming the television
event of 2010.
Characterized by immense formal and
thematic innovation of the television
language, the programme was written
and presented by a new duo made up
of Fabio Fazio and Roberto Saviano,
an author who has now achieved
international fame and whose works
include the hugely successful
Gomorra.
Their guests included Roberto Benigni,
Stefano Bollani, Claudio Abbado,
Angela Finocchiaro, Silvio Orlando,
Luciano Ligabue, Pierluigi Bersani and
Gianfranco Fini.
The episode aired on 22 November
registered an all-time record number of
viewers for RaiTre: 9,671,000 viewers
with a share of 31.6%.
The average of the four episodes also
created a record, thanks to the total of
8,765,000 viewers, with a share of
29.19%. This programme succeeded in
attracting people who don't usually
watch television. Indeed, when it was
broadcast, the prime time television
audience was about 30 million
viewers, against an average figure
during the autumn season of less than
28 million. The programme also
achieved high performances among
the audience target that rarely
approaches general-interest television;
attention should be drawn to the share
of young people aged 15 to 34, in
excess of 32%, and the almost 54% of
the university graduate target.
Otherwise, the channel confirmed its
prime time programmes with their
marked service characteristics,
attentive to social issues and always
taking the part of the people, and the
late evening mechanism with Serena
Dandini's programme, which not only
increased its viewers, but also obtained
a good judgement of quality,
registering values above average for
the genre.
2010 witnessed a growth in viewers of
RaiTre's news and information, service,
culture and satire programmes. From
Ballarò to Chi l'ha visto? from Parla con
me to Che tempo che fa.
Chi l'ha visto? followed controversial
cases such as that of Sara Scazzi with
elegance and professional correctness
and registered outstanding viewing
figures during autumn 2010, with an
increase of 3.40 share points,
amounting to about one million
viewers.
Ballarò increased its already high share
results in autumn 2010, climbing from
15.7%, the average value with which it
ended the 2009/2010 season, to an
average 16.05% as at 31 December
2010.
The culture, science and environment
genre, which characterizes important
portions of RaiTre's programming,
secured its place with the audience in
terms of perceived quality, with
Geo&Geo in particular confirming its
appeal.
Programmes such as Che tempo che fa,
which recorded the highest figures
among Current Affairs programmes,
Report, Presa Diretta, Ulisse, Parla con
me, Blob, Amore Criminale, Un Giorno
in Pretura, Doc3, Correva l'anno and
Sfide, the value of which has grown in
time in line with their evolution in terms
of language, continue to be strategic to
the channel's success, as certified by the
Qualitel report for 2010.
New programmes broadcast in 2010
and worthy of mention include A Slum
Symphony, the documentary on teaching
classical music to Venezuelan children,
broadcast during prime time, and the
three episodes of Va' pensiero! by and
with Antonio Pappano, produced by the
BBC and dedicated to opera in Italy.
RaiTre confirmed its role in 2010 as a
modern, contemporary channel, made
solid by constant work to renew its
approach without losing continuity,
which has helped strengthen the link and
involvement with its audience: storytelling
has always been and continues to
remain the foundation of the
programmes and it is around this that
the channel is recognized and the
viewers have grown.
Also starting in the autumn, and
following the same logic, the children's
programmes broadcast on Saturday and
Sunday mornings were replaced with
repeated utility programmes, films and
telefilms for the whole family.
The changes made to programming did
nothing to change RaiTre's identity and
broadcasting style, but helped outline
the spirit of its audience: viewers who
want to be kept constantly up to date,
who are curious about what's going on
in the world 'near and far' and who
want to understand and enter into the
most current and relevant issues. An
audience which enriches its culture,
drawing on the information provided by
television and media in general, who
read newspapers and magazines, listen
to the radio and use the Internet.
A Map of RaiTre
News & Information: Ballarò, In 1/2 ora, Cominciamo bene
Inquiries: Report, Presa Diretta, Blu notte, C'era una volta
Irony: Che tempo che fa, Blob, Parla con me, Glob, Tatami
Memory: La Grande Storia, Enigma, Correva l'anno, Sfide, Ritratti
Commitment: Mi manda RaiTre, Chi l'ha visto, Racconti di vita, Doc3.
Culture: Passepartout, Le Storie di Augias, Per un pugno di libri, Prima della prima, La musica di RaiTre
Noir: Un giorno in pretura, Amore criminale, Storie maledette
Emotions: Un posto al sole, Agrodolce, Terra Nostra, La scelta di Francisca, La nuova squadra, Medium, Un caso per due, Il circo.
Nature and Science: Ulisse, Superquark, Geo & Geo, Nati liberi, Elisir, Pronto Elisir
Travel: Alle falde del Kilimangiaro
Children: Trebisonda, Melevisione, E' domenica papà, Il Gran Concerto, Mamme in glob