The Prix Italia Master Classes are back! Following last year's big success, we are proud to present another round of in-depth encounters with some of the authors awarded in the 2021 Prix Italia competition. In three new online Master Classes, chief creators will provide a unique insight into their work, including video clips and excerpts from the production. Participants will get a crucial understanding on how the winning programs have been conceived and produced, from motivational backgrounds and values to editorial decision making and details about the production methods.
Save the dates: March 3, 17 and 31 - exclusive meetings dedicated to the professionals who are interested in the excellence in world media production and in the great themes of Public Service Media.
The local working and middle classes have become unable to afford housing in major cities across the world. London, New York, Hong Kong, Toronto, Tokyo, Valparaiso, Sydney, Caracas, Barcelona, Paris, Amsterdam, Stockholm… the list seems endless. People are being pushed out of their very own homes – because living in them has become unaffordable. We follow in the foot-steps of Leilani Farha, UN Special Rapporteur on Adequate Housing, who means that if we really want to make change to ensure ALL people can live in the city – then we have to be able to hold someone responsible for what is going on. Who are the players and what are the factors that make housing one of today's most pressing world issues? It is time to recognize that housing is a human right, not a commodity.
Prix Italia Signis Special Award winner PUSH has been in the official selections of mayor film festivals all over the world, and has won numerous awards, including Politiken Audience Award at CPH:DOX, Young Jury Reteena Award at DOCS BARCELONA, a Special Mention LIFE AFTER OIL FILM FESTIVAL, the Premio del Jurado Global Docs Jury Award - DOCSMX, the Justin Louis Award Best Documentary at FREEDOM FILM FEST, the Best Feature Award at SAN FRANCISCO GREEN FILM FESTIVAL and the Open Eyes Youth Jury Award at NUREMBERG HUMAN RIGHTS FILM FESTIVAL.
More on the film: https://www.pushthefilm.com.
Why you should join:
Director Fredrik Gertten will comment key extracts from the film give you an inside on how he conceived and developed this global inquiry, on how he selected his main protagonist and narrated "cases". A special attention will be given on the big effort given to create the widest possible outreach for the film's core messages, through a well thought impact production strategy.
From Prix Italia Jury's motivation:
We applaud this documentary for raising the issue of a "David & Goliath" situation in which wealthy Hedge Funds and other investors trade housing as assets, in much the same way as they would trade a commodity such as gold, without regard to the displacement of tenants, many of whom are poorer people, immigrants, the elderly and refugees. Swedish Television has excelled in showing us that the Universal Declaration of Human Rights provision that adequate housing is the right of every child, woman and man, everywhere, flagrantly ignored by unbridled capitalism, a position that numerous countries legally endorse in spite of its intrinsically amoral nature. The filmmakers are to be commended for raising in such a powerful manner an issue of universal concern.
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Fredrik Gertten |
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Ilaria Maria Sotis, Vice Director News Radio1, Rai |
The war in Syria has spread death and destruction across the country. In besieged Eastern Al Ghouta incessant bombardment makes going outside a life threatening proposition. Residential neighborhoods are targeted as indiscriminately as markets, schools, hospitals, medical centers and ambulances. Safety and hope lie underground, where a brave group of doctors and nurses have established a subterranean hospital called the Cave. Under the leadership of a young female pediatrician, Dr. Amani Ballour, the Cave offers hope and healing to the sick and injured civilians. In a conservative patriarchal society Dr. Amani and her female colleagues have reclaimed their right to work as equals alongside their male counterparts. Their battle is not only to survive but to maintain their dreams and hopes for their country and for women.
THE CAVE premiered at the 2019 TIFF, and won People's Choice Award, Best Writing from the International Documentary Association, and Producing Award from Cinema Eyes Honer, alongside 16 other awards around the world. THE CAVE was also nominated for 5 Critics Choice Awards, Directors Guild of America, Producer Guild of America, and nominated for the 2020 Academy Best Documentary Award. THE CAVE is distributed worldwide by National Geographic.
More on the film: https://films.nationalgeographic.com/the-cave.
Why you should join:
Through commenting selected excerpts from his masterpiece, Director Feras Fayyad will talk about the personal and political background of this pr oject, the values that inspired him and the team, and the objectives they had in making in. A particular focus will be given to the team's strategy to handle the extremely difficult and dangerous production framework in a location at war. Fayyad will also introduce his new upcoming Syria film about the International Investigations and Legal Trials against former Daesh fighters.
From Prix Italia Jury's motivation:
"The Cave" is an excellent work. It literally makes the war explode in front of your eyes with the force of a bomb, even if you live in the opposite corner of the world. The topic has been treated in a delicate and intense way. A masterly technique makes this mess age impossible to ignore. Many impressive documentaries have been submitted in this edition of the Prix Italia, but "The Cave" is an urgent and needed feat.
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Feras Fayyad |
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Lucia Goracci, Rai Correspondent |
Set to Tchaikovsky's famous swan theme, 27 elite ballet dancers from renowned dance companies perform a modern day, viral, Swan Lake from their own baths. Corey worked with dancers across the globe to choreograph and film Swan Lake Bath Ballet completely remotely during the Covid 19 pandemic. In the film, Baker's quirky choreography is performed in baths from New Zealand to South Africa, America to Hong Kong, Australia to the UK. Swan Lake Bath Ballet was filmed on smart phones, directed by Corey from his bathroom in the UK.
More on the film: https://coreybakerdance.com/dance/swan-lake-bath-ballet/.
Why you should join:
In this Master Class Corey Baker will give us the creative and personal professional background that brought him to develop the Swan Lake Bath Ba llet, and to get BBC Culture to produce the show as a part of her "Culture in Quarantine" online initiative. From here, the Master Class will more in general, and with further examples from recent productions, discuss ways how Corey and his Dance Company rejuvenate ballet classics with a completely new and prior unseen mise en scene, with great results especially with younger audiences.
From Prix Italia Jury's motivation:
A truly beautiful project in its simplicity and form. In the Jury's view, the juxtaposition of a familiar space and the artistic interpretations of one of the most famous pieces of classical music make for an otherworldly experience, so very telling of the zeitgeist that the pandemic has brought about. With the use of widely accessible technology, the creators of "Swan Lake Bath Ballet" were able to successfully re contextualize a familiar piece of art and use the limitations of a socially distanced world to their advantage. The jury believes that for generations to come, this stellar production will serve as a perfect example of just how creative humans can be in a time of a crisis.
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Corey Baker |
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Iman Sabbah, Rai Correspondent |
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Markus Nikel, International Advisor, RAI |
Referent:
Irina Stoilova, Prix Italia, International Relations and European Affairs, Rai. Email: irina.stoilova@rai.it
