ALL FINALISTS | SHORTLIST: R · T · D
Nathan Farr (CBC/SRC, Canada), Taneli Arponen (YLE, Finland), Leitner Attila (MTVA, Hungary), Alessio Rocchi (RAI, Italy), Aleksandra Prokopiuk (TVP, Poland), Sonja Savić Vezmar (RTV, Serbia), César Peña (RTVE, Spain), Laura Marks (CH4, United Kingdom), Neuvides Guerrero (TELESUR, Venezuela).
The President: Aleksandra Prokopiuk (TVP, Poland).
Mysteerijuna – Pakopeli raiteilla (Mystery Train – An Escape Game on Tracks)
Direction: Joni Nieminen. Content, Project Manager: Anna-Leena Lappalainen. Designer: Mikko Lehtola. Developers: Antti Saarenpää, Annika Veteli.
Mystery Train – an exciting escape game that teaches coding! Learning to code can be fun! The top-rated Mystery Train game offers young people a challenging way to learn coding and logical thinking. A hike turns into an adventure as the player takes shelter from a storm and find herself of a mysterious train. Lightning hits the train and it starts speeding uncontrollably towards Helsinki. The train can be stopped from the locomotive. To get there, the player must solve programming tasks: writing command lines and loops, and studying database structures. The game is aimed at 10-17 year olds, takes 20 to 60 minutes to play, is free and can be played on a browser, mobile or computer. This is not just a game, but this is a journey that prepares you for the future. Let the adventure begin!
Lab Orquesta – Música artificial para humanos (Lab Orquesta – Artificial Music for Humans)
Direction, Content Manager: Juan Manuel Cuéllar. Designers: Joel Filipe, Bárbara López, Boris Guzmáns. Producing Organisations: Lab.RTVE, RTVE Orchestra and Choir..
Lab Orquesta – Artificial Music for Humans is a transmedia project that narrates the fascinating process of creating a piece of music with artificial intelligence, from the initial seeding to its performance at a concert. On the evening of 17 November, musicians and spectators experienced from the seats of the Teatro Monumental in Madrid an unprecedented moment for classical music in Spain. For the first time a symphony orchestra, the Orquesta y Coro of RTVE, performed before an audience a work composed entirely by an artificial intelligence. The piece was secretly included in the programme. The event was the final step of Lab Orquesta, an experimental project developed by the Laboratorio de Innovación Audiovisual of RTVE in collaboration with the Orquesta y Coro of RTVE. The format chosen to tell this story is also innovative: it is a documentary for TikTok, consisting of six chapters that have been published periodically since February on the Lab's Instagram and TikTok accounts.
De Jurk en het Scheepswrak (The Gown and the Shipwreck)
Direction: Arnold van Bruggen, Thomas Lievestro. Sound Track: Roald van Oosten. Project Manager: Ingrid Walschots. Designers: Nick Berjoan, Marcel C. de Vries, Menno Wittebrood, Thomas Lievestro, Floris Deerenberg. Developers: Thomas Lievestro, Ruben Bimmel, Ricardo Snoek. Producing Organisation: NTR. Coproducing Organisation: Prospektor.
The Gown and the Shipwreck is the story of a unique archaeological discovery at the Palmwood wreck, off the coast of Texel. The illegally recovered 17th century wreck has caused excitement around the world. The interactive game The Gown and the Shipwreck offers an immersive dive into the wreck of Palmwood in the Wadden Sea. Visitors embark on an audiovisual journey where music, sounds, 3D images and stories create a rich narrative and a unique experience. The Gown and the Shipwreck make an otherwise unreachable underwater national monument accessible to all. Visitors can dive together with divers from the Texel Diving Club and discover hidden treasures from the 17th century. Thanks to this innovative approach, the underwater world comes to life in an extraordinary way. The game is part of the multimedia project The Gown and the Shipwreck, which also includes a three-part documentary and a five-part podcast. In the documentary, director Arnold van Bruggen follows developments on Texel Island, where local divers who find the gown illegally must now face the intricacies of laws and regulations. In the podcast, Arnold and Tjitske Mussche try to answer the question: who could have owned that famous dress?